{"albums":[{"id":2374,"title":"A LONG VACATION","genres":[],"artists":[{"id":14,"name":"大瀧詠一"}],"avg_score":4.54,"cover_url":"https://archive.org/download/mbid-327028d2-f387-4e44-861a-b2df22d7e3ba/mbid-327028d2-f387-4e44-861a-b2df22d7e3ba-6272757196_thumb500.jpg","amazon_url":null,"suki_count":13,"want_count":1,"description":null,"score_count":13,"release_year":1981,"review_count":6,"listened_count":18,"suki_this_week":0,"apple_music_url":null},{"id":24,"title":"OK Computer","genres":[{"id":64,"name":"ブリットポップ"},{"id":66,"name":"アダルト・アルタナティブ"}],"artists":[{"id":22,"name":"Radiohead"}],"avg_score":3.81,"cover_url":"https://is1-ssl.mzstatic.com/image/thumb/Music116/v4/07/60/ba/0760ba0f-148c-b18f-d0ff-169ee96f3af5/634904078164.png/1200x1200bb.jpg","amazon_url":"https://www.amazon.co.jp/dp/B000002URH","suki_count":12,"want_count":1,"description":"『OK Computer』ほど大胆で、革新的で、聴く者を不安な気持ちにさせるアルバムも他にない。ロック探求の新たなフロンティアを告げるだけでなく、テクノロジーというおもちゃに対するミレニアル世代以前の萌芽的な関心、そして懸念をも表現した偉業的一作だ。この恐怖と忘却に満ちた12曲の中で、トム・ヨークは自分を取り巻く社会から疎外されながら、“僕が見たい世界”を目撃するためにエイリアンに誘拐されることを切望している。それは深く人を不安にさせる歌曲集であると同時に、深く人を引きつけるものでもある。ロックンロールのサウンドを野心をみなぎらせて再編成させた本作は、ロックンロールという形式において最も先鋭的で必然的なステートメントの一つとなったのだ。\nそして同時に、『OK Computer』は究極的には希望に満ちた作品でもある。人類の避けがたい進歩の過程において、必ずしも私たちの善良さを犠牲にする必要はないという信念が表れているからだ。そして目まぐるしいスピードに対処する方法があるとしたら、それは簡単なことだ。「おまえ、スピードを落とせよ（Idiot, slow down,）」。これはアルバムを締めくくる「The Tourist」でトム・ヨークが歌う一節だ。『OK Computer』によって、レディオヘッドがロックの新たな旗手となって数十年、加速する孤立に対する私たちの怒りは募るばかりだ。しかし、その答えと希望はまだ残っている。","score_count":8,"release_year":1997,"review_count":2,"listened_count":13,"suki_this_week":0,"apple_music_url":"https://music.apple.com/jp/album/ok-computer/1097861387"},{"id":14,"title":"BADモード","genres":[],"artists":[{"id":3,"name":"宇多田ヒカル"}],"avg_score":4.21,"cover_url":"https://is1-ssl.mzstatic.com/image/thumb/Music116/v4/8a/4f/6c/8a4f6cce-3955-92e1-b566-5c5ff715225b/4547366549522.jpg/1200x1200bb.jpg","amazon_url":"https://www.amazon.co.jp/dp/B09N3CM2PB","suki_count":10,"want_count":0,"description":"クラブミュージックの最前線に立つプロデューサーたちとのコラボレーションを通じ、普遍性と先鋭性が共存するポップスをさらに進化させた8作目のオリジナルアルバム。お互いの作品で幾度も共同作業を行ってきた小袋成彬を迎えた楽曲に加え、ハイパーポップの発展に貢献したA. G. Cookとともに紡いだ「君に夢中」「One Last Kiss」、スクリレックス＆プー・ベアとの共作曲「Face My Fears」、そしてアルバム表題曲「BADモード」他2曲にはFloating Pointsが参加。バラードからR&B、フューチャーベースやハウスミュージックまで多彩な楽曲がそろう。そして前作以上に多用している英語詞や、日本語詞の斬新な譜割とフロウを駆使しつつ、喪失感や刹那的な欲望をも受け入れながら日々を生きる者たちの、切なくもポジティブな心情やストーリーを描き出す。そのカジュアルな語り口とサウンドの革新性が一体となり、彼女の躍動し続けるクリエイティビティを捉えている。","score_count":9,"release_year":2022,"review_count":2,"listened_count":10,"suki_this_week":0,"apple_music_url":"https://music.apple.com/jp/album/bad%E3%83%A2%E3%83%BC%E3%83%89/1604335159"},{"id":321,"title":"Abbey Road (2019 Mix)","genres":[{"id":484,"name":"アリーナロック"},{"id":481,"name":"ハードロック"},{"id":479,"name":"プログレロック / アートロック"}],"artists":[{"id":156,"name":"ビートルズ"}],"avg_score":4.82,"cover_url":"https://is1-ssl.mzstatic.com/image/thumb/Music211/v4/48/53/43/485343e3-dd6a-0034-faec-f4b6403f8108/13UMGIM63890.rgb.jpg/1200x1200bb.jpg","amazon_url":null,"suki_count":8,"want_count":1,"description":"ビートルズとの共同作業で知られる伝説的なプロデューサー、ジョージ・マーティンの息子であり、現在ビートルズの貴重なカタログを管理している音楽プロデューサー、Giles Martin（ジャイルズ・マーティン）は、以前“ビートルズのアルバムの中で一番コンテンポラリーなサウンドの『Abbey Road』は、彼らの世界への完璧な入り口”とApple Musicに語った。それは真実だ。他のビートルズのアルバムが、そろいのスーツやモップトップ、ポップミュージックのフォームを使った中期の遊び心あふれる実験、あるいは、極彩色のサイケデリック、といった、タイムカプセルに閉じ込められた特定の瞬間を想起させるのに対し、『Abbey Road』のサウンドは、4人の極めて優れた才能を持つ人間たちが同じ場所に集い、ただただ永遠の名曲を次から次へと演奏している、という印象を与えるものとなっている。\n11作目にして最後から2番目にリリースされたこのアルバムは、ビートルズの歴史的なカタログの中で、4人のメンバー全員がスタジオにそろってバンドとして録音した最後の作品だ。もちろん、彼らのアルバムから最もインパクトのある一作を挙げるというのはばかげた行為だが、1969年の『Abbey Road』が最もエバーグリーンで、世界を変えたバンドが創造性のピークに達した時に作り上げた完全無比の作品であることは間違いないだろう。\n1968年リリースの『The Beatles (The White Album)』に続いて、この『Abbey Road』においても彼らの多様な音楽性が存分に発揮されている。「Here Comes the Sun」は明るく健全で、「Come Together」や「Polythene Pam」はやや奇妙、「Maxwell’s Silver Hammer」は親しみやすい曲調におぞましい内容の歌詞、「Something」は結婚パーティーのファーストダンスのようにロマンチックで、「Octopus’s Garden」や「Mean Mr. Mustard」はユーモラス、そして、アルバムの終盤には8曲16分の遊び心にあふれたメドレーが展開されるという具合だ。確かにバンドの終焉（しゅうえん）を目前に控え、ポップミュージックの歴史の中で彼らにしか成し得なかったダイナミックなコラボレーションの炎は消えかかっていたかもしれない。だがビートルズはその残り火の中で、彼らならではの比類なき創造性と連帯感によって決定的な名作を生み出したのだ。","score_count":6,"release_year":1969,"review_count":0,"listened_count":9,"suki_this_week":0,"apple_music_url":"https://music.apple.com/jp/album/abbey-road-2019-mix/1474815798"},{"id":368,"title":"Revolver (2022 Mix)","genres":[],"artists":[{"id":156,"name":"ビートルズ"}],"avg_score":4.9,"cover_url":"https://is1-ssl.mzstatic.com/image/thumb/Music211/v4/97/f4/3a/97f43ab4-9fdf-7a41-e430-7c6c313f3883/13UMGIM63887.rgb.jpg/1200x1200bb.jpg","amazon_url":null,"suki_count":8,"want_count":0,"description":"1966年の『Revolver』にまつわる、魅力的な、そしておそらく本当にあった話として、ポール・マッカートニーとボブ・ディランがロンドンのメイフェア・ホテルで交わした会話が知られている。「Tomorrow Never Knows」のテープループと死にまつわる歌詞を聴いたディランは、マッカートニーにこう言った。「そうか、分かったよ。君はもう、かわいいままではいたくないんだね」\nわずか3年前にリリースされた「I Want to Hold Your Hand（抱きしめたい）」と比べて、サウンドも歌詞のテーマも、飛躍的に複雑になった『Revolver』は、家族全員に受け入れられるポップバンドというビートルズのイメージを覆しただけでなく、ポップミュージックを未知の地平へと導くものだった。\nビートルズは『Revolver』で、サイケデリックや実験音楽、インドの伝統音楽などに対する関心を明らかにした。そして、それらと「Got to Get You Into My Life」に見られるモータウン的なサウンドや、「Good Day Sunshine」に代表される今でいうクラシックなビートルズ風ポップを結びつけたのだ。さらに彼らは、ポップアルバムというものが、スタジオでの複雑な作業を経た、手の込んだ創造物であるという概念を定着させた。","score_count":6,"release_year":1966,"review_count":0,"listened_count":8,"suki_this_week":0,"apple_music_url":"https://music.apple.com/jp/album/revolver-2022-mix/1642995371"},{"id":3023,"title":"空洞です","genres":[],"artists":[{"id":1161,"name":"ゆらゆら帝国"}],"avg_score":4.9,"cover_url":"https://archive.org/download/mbid-6c88b86a-cc10-45de-a3ec-b37d8c1c7ce1/mbid-6c88b86a-cc10-45de-a3ec-b37d8c1c7ce1-6366911279_thumb500.jpg","amazon_url":null,"suki_count":7,"want_count":0,"description":null,"score_count":4,"release_year":2007,"review_count":0,"listened_count":6,"suki_this_week":0,"apple_music_url":null},{"id":21,"title":"async","genres":[{"id":54,"name":"近代"},{"id":57,"name":"IDM / エクスペリメンタル"},{"id":56,"name":"ビッグ・バンド"},{"id":52,"name":"エレクトロニック"}],"artists":[{"id":19,"name":"坂本龍一"}],"avg_score":4.44,"cover_url":"https://is1-ssl.mzstatic.com/image/thumb/Music111/v4/61/47/6b/61476b07-540c-39b8-a7fd-d01da087a2a6/ANTCD-21497.jpg/1200x1200bb.jpg","amazon_url":"https://www.amazon.co.jp/dp/B06XNVS5SV","suki_count":7,"want_count":1,"description":"8年ぶりのソロアルバム。闘病を経て生まれた静謐で深遠な音の風景。","score_count":5,"release_year":2017,"review_count":2,"listened_count":6,"suki_this_week":0,"apple_music_url":"https://music.apple.com/jp/album/async/1216079429"},{"id":26856,"title":"HOSONO HOUSE","genres":[{"id":2,"name":"ロック"}],"artists":[{"id":1124,"name":"細野晴臣"}],"avg_score":4.18,"cover_url":"https://is1-ssl.mzstatic.com/image/thumb/Music118/v4/35/2a/45/352a4587-e019-4b73-372b-4af7d0a79268/KICS-1138-1400.jpg/1200x1200bb.jpg","amazon_url":null,"suki_count":7,"want_count":0,"description":"「半世紀も前のことなので、記憶も薄れています。『どこがいいんだろう？』と。いまだに聴いてくださる方がいるというのは驚きです」。50周年を迎える自身初のソロアルバムについて、細野晴臣はあまりに謙虚に、ひょうひょうとApple Musicに語る。1973年に発表され、世界中の幅広い世代のミュージシャンに影響を与え続けている名作『HOSONO HOUSE』。制作当時、細野は埼玉県狭山市にある通称“アメリカ村”に住んでいた。洋風の家が建ち並ぶそこには多くのミュージシャンが集まり、独自の音楽コミュニティを形成していた。日本のカルチャーとは異なる文脈にある当時のアメリカ村の雰囲気が、『HOSONO HOUSE』に色濃く反映されている。「当時僕が聴いていた西海岸辺りの音楽シーンは、ヒッピーカルチャーから徐々にカントリーに移っていく時期。僕の音楽もそれとかなり連動していました」\n\n当時細野は、大滝詠一らと組んだバンド、はっぴいえんどに所属していた。はっぴいえんどは1972年の秋、ラストアルバム『HAPPY END』の制作のためにアメリカのロサンゼルスに行った。その時の体験が『HOSONO HOUSE』に大きく影響したという。「ロサンゼルスではリトル・フィートのレコーディング現場を見に行って。それが一番ショックでした。ローウェル・ジョージが楽器を持たずに指揮をしているとか、僕らがやったこともないようなレコーディング形態を目の当たりにして、圧倒的なエネルギーを感じた。そこで視野が広がりましたね。その時彼らが演奏していた『Two Trains』が、日本に帰ってからも頭の中でずっと鳴っていました」\n\n細野は狭山のハウスでソロアルバムのレコーディングに着手する。『HOSONO HOUSE』は日本における宅録作品の先駆けとして知られるが、そのスタイルを選んだのは「自分で計画したというよりも、そういう状況だったから」と細野は説明する。「ハウスが音を出せる環境にあったし、はっぴいえんどで一緒にやっていたエンジニアの吉野（金次）さんが個人で新しい録音機材を買って、それを試したいというわけです。だから狭山ハウスは格好の実験場所になったんだね。僕としては全然満足してなくて、いまだにシンバルの音、大きいんじゃないの？って思うんだけど。でも、みんな音がいいって言ってくれるんだから、これはあんまり言わない方がいいか（笑）」\n\n1970年代当時、アメリカではロックバンドのブームが下火になり、シンガーソングライターが台頭した。「ロックバンドのボーカリストはビートルズにしろザ・ビーチ・ボーイズにしろ、みんな声が高いんです。対して、シンガーソングライターの人たちは低めで、普通の大人の声だったから、それなら僕も歌えるなと思って、ロックバンドではなくシンガーソングライターの気持ちでやっていました。一番影響を受けた人はジェイムス・テイラー。歌だけじゃなく、ギターの奏法も影響されました」\n\nアメリカの音楽シーンとリンクしながら細野が作り上げた音楽は、グローバルでありながら日本的な情感も漂わせ、独特の輝きを放った。それは国境を超えて人々を魅了していくことになるが、当時細野にその確信があったわけではない。むしろ自分は過渡期にあったという。「僕は過渡期にアルバムを出しちゃうくせがあって、だからいつも絶対に完成形にならない（笑）。このアルバムは（ソロで）初めて作った作品だし、試行錯誤の連続でバタバタしてたから、どこがいいのか自分ではよく分からないんです」\n\n2019年には、全曲を新録したリメイクアルバム『HOCHONO HOUSE』を発表した。この時久々に『HOSONO HOUSE』を聴き返した細野は、全部作り変えたいと思ったという。「やはり若気の至りだったという気持ちはずっとある。声も当時に比べると今は音域が狭くなったけど、今の方が自分では好きなんです。だから歌い直すんだったら、今の自分の等身大の気持ちで歌おうと思った」。リメイクするに当たり歌詞は一部改変した。例えば「僕は一寸」の“日の出ずる国”は“日の沈む国”となった。「当時の歌詞のまま歌えなかった。日本はバブルが崩壊してからずっと低賃金のまま働いている国で、社会的な圧迫感はどんどん増している。だから今の気持ちで歌うためには、変えざるを得なかった」\n\n『HOSONO HOUSE』が生まれて50年。時代がどんなに変わろうとも、細野の作る音楽は常に若い世代を引きつけてきた。細野も「若いバンドの中に、はっぴいえんどの感じが時々聞こえるんです」と言う。「あの頃は音楽業界というものがまだなかったし、あったとしても自分たちは関係なかったから、あまり目的もなく自然にやっていたんです。とにかくいい音楽を作るという目的しかなかった。でも今の時代にそれをやるのは、とても力がいるんだろうなと思う」。だからこそ細野は、音楽を志す若い世代にエールを送る。「びっくりするようなものを作ってほしいです。僕がやらなくてもいいやって思えるようなものをね」","score_count":4,"release_year":1973,"review_count":0,"listened_count":6,"suki_this_week":0,"apple_music_url":"https://music.apple.com/jp/album/hosono-house/1403212957"},{"id":2336,"title":"FOR YOU","genres":[],"artists":[{"id":15,"name":"山下達郎"}],"avg_score":4.58,"cover_url":"https://archive.org/download/mbid-a2f8424d-552b-4d0d-ba5a-aa43fac1fbc7/mbid-a2f8424d-552b-4d0d-ba5a-aa43fac1fbc7-21523659859_thumb500.jpg","amazon_url":null,"suki_count":7,"want_count":0,"description":null,"score_count":5,"release_year":1982,"review_count":2,"listened_count":7,"suki_this_week":0,"apple_music_url":null},{"id":1083,"title":"Kid A","genres":[],"artists":[{"id":22,"name":"Radiohead"}],"avg_score":3.9,"cover_url":"https://is1-ssl.mzstatic.com/image/thumb/Music122/v4/bd/8e/13/bd8e1358-b367-a689-cb84-cebd0b067dc4/634904078263.png/1200x1200bb.jpg","amazon_url":null,"suki_count":6,"want_count":0,"description":"1997年のサードアルバム『OK Computer』をきっかけとして、トム・ヨークは自分たちがロックバンドをやっているという事実に抵抗し始めていた。同作を経たレディオヘッドは多少のストレスと叫び、そして狂気をもって、いよいよロックバンドのルールからの脱却を決意することになる。そうして誕生した革命的なアルバムが、『Kid A』だ。\nレディオヘッドは『Kid A』でオーセンティックなギターロックを捨て、エレクトロニカやアンビエント、ジャズ、クラウトロックなどに大胆に移行。サンプルやループを多用したサウンドメイキングや、フレーズをランダムに組み合わせた抽象的な歌詞によって、ロックの定型を切り刻んでみせた。船酔いしそうなシークエンスとヨークの多重ボーカルが、オランダの版画家マウリッツ・エッシャーのスケッチのように折り重なる「Everything In Its Right Place」は、「Creep」に象徴されるかつてのレディオヘッドから、彼らがいかにこの不気味なサウンドに飛躍したのかを策略的に伝えるナンバーだ。しかし同曲は『Kid A』の異様さのごく一部にすぎない。「The National Anthem」のフリーキーなベースやほえるようなホーン、「Motion Picture Soundtrack」のオペラチックな揺らぎ、「In Limbo」の屈折したギターと幻惑的なリズムなど、レディオヘッドはどの曲でも新たな空間を発見している。","score_count":2,"release_year":2000,"review_count":1,"listened_count":8,"suki_this_week":0,"apple_music_url":"https://music.apple.com/jp/album/kid-a/1097862870"},{"id":2331,"title":"SCHOOL GIRL DISTORTIONAL ADDICT","genres":[],"artists":[{"id":8,"name":"NUMBER GIRL"}],"avg_score":4.16,"cover_url":"https://archive.org/download/mbid-84dead4e-db7e-4c0f-89d0-c7e07c71fe72/mbid-84dead4e-db7e-4c0f-89d0-c7e07c71fe72-10736374753_thumb500.jpg","amazon_url":null,"suki_count":6,"want_count":2,"description":null,"score_count":5,"release_year":1999,"review_count":1,"listened_count":6,"suki_this_week":0,"apple_music_url":null},{"id":391,"title":"The Beatles (The White Album)","genres":[],"artists":[{"id":156,"name":"ビートルズ"}],"avg_score":5,"cover_url":"https://is1-ssl.mzstatic.com/image/thumb/Music115/v4/fa/5b/89/fa5b898d-bad6-e053-4195-260e5c74f2bb/00602567725466.rgb.jpg/1200x1200bb.jpg","amazon_url":null,"suki_count":6,"want_count":0,"description":"真白なジャケットが強烈なインパクトを与える「The Beatles」通称「ホワイトアルバム」は、多種多様なスタイルの30曲を収録した2枚組オリジナルアルバムとしてリリースされた。このアルバムはアルバムコンセプトから、カバーアート、そして各曲のアレンジに至るまですべてにおいて「Sgt. Pepper’s Lonely Hearts Club Band」とは対照的な作品だ。\"Helter Skelter\"や\"Yer Blues\"のヘヴィロック、\"Long Long Long\"や\"Julia\"の優しいメロディ、\"Revolution 9\"での混沌、不協和音の波に続く\"Good Night\"のオーケストラによるララバイ。シンプルな弾き語りから、フォークやロック、ヘヴィロックにバラード、そしてサイケデリック、さらに壮大なオーケストラをフィーチャーした楽曲など、収録曲のバリエーションの豊かさはこのアルバムをより一層ユニークなものにしている。アルバムサイズにとらわれる事なく行われたレコーディングセッションにより、各メンバーが持っていたアイデアの実現、様々なスタイルの試みなどが可能となり、革新的な作品を創り出す事に成功した。","score_count":1,"release_year":1968,"review_count":0,"listened_count":6,"suki_this_week":0,"apple_music_url":"https://music.apple.com/jp/album/the-beatles-the-white-album/1441133180"},{"id":27984,"title":"Is This It","genres":[{"id":2,"name":"ロック"}],"artists":[{"id":607,"name":"The Strokes"}],"avg_score":4.7,"cover_url":"https://is1-ssl.mzstatic.com/image/thumb/Music221/v4/cf/18/7b/cf187bcd-029d-5167-bab6-87219f32d95a/078636804521.jpg/1200x1200bb.jpg","amazon_url":null,"suki_count":5,"want_count":0,"description":"現代ロックミュージック史にあっても、2001年にリリースされた『Is This It』のように、一瞬にしてゲームのルールを変えてしまったアルバムはほとんどないだろう。この作品の登場を契機に、一夜にしてロックンロールは粗削りに、また、ヘアスタイルもむさ苦しいボサボサ頭へと変わり、ローカルなリサイクルショップでは誰も見向きもしなかったジャケットコーナーに若者が殺到するようになったのだ。ヤー・ヤー・ヤーズ、Interpol、TV on the Radioといった同じニューヨークのシーンにいるバンドや、活動の拠点こそ離れているものの、ザ・ハイヴス、ザ・ホワイト・ストライプス、ザ・リバティーンズといった2000年代初頭に巻き起こった志を同じくするバンド群による大きな波の中に、The Strokesがいることは言うまでもない。それでも『Is This It』は、埃っぽい野卑さと官能的なセックスアピールを併せ持ち、ロックシーンに大転換をもたらす特異な作品だった。\nさらに重要なこととしては「Someday」や「Last Nite」のような軽快なロックンロールチューンに見られるように、先達のオルタナティブなアーティストたち、ヴェルヴェット・アンダーグラウンドやイギー・ポップのストリート感覚や、ザ・スミス、初期のザ・キュアーにあった傷ついたロマンティシズムといったものの両方を受け継ぎながら、ダンスフロア映えする即時的なポップミュージックへと更新したことも挙げられるだろう。2001年秋のニューヨークの街、その最良な部分について思いをはせるとき、最初に頭に浮かんでくるのがThe Strokesだとしたら、なんと素敵なことだろう。彼らの登場と、それにまつわる騒がしさはすべて、ある一つの世代を象徴している。つまり、不幸なまでに陰惨な時代にあっても、なんとかして楽しみを見つけようと格闘した世代がいたということだ。そうしたことも、本作が伝える大切なものの一つだろう。","score_count":2,"release_year":2001,"review_count":0,"listened_count":5,"suki_this_week":0,"apple_music_url":"https://music.apple.com/jp/album/is-this-it/269080434"},{"id":3,"title":"Fantôme","genres":[{"id":34,"name":"J ポップ"},{"id":33,"name":"ワールド "}],"artists":[{"id":3,"name":"宇多田ヒカル"}],"avg_score":4.14,"cover_url":"https://is1-ssl.mzstatic.com/image/thumb/Music221/v4/33/c7/f7/33c7f769-589b-9c48-fe2f-e2d0a4781ec4/16UMGIM59612.rgb.jpg/1200x1200bb.jpg","amazon_url":"https://www.amazon.co.jp/dp/B01LYHDP30","suki_count":5,"want_count":2,"description":"前作「HEART STATION」より8年ぶりとなった6作目のオリジナルアルバム。プライベートな痛みや喜びを詩的で普遍的なポップソングに落とし込み、成熟した大人の表現者として新たなステージに立った。亡き母、藤圭子への想いを胸に一歩を踏み出す\"道\"、男と女の生々しい胸の内をえぐり出す\"俺の彼女\"、喪失感の中で消え入りそうな希望をつなぐ\"人魚\"など、自身の人生観を色濃く反映した11曲。椎名林檎やKOHH、小袋成彬といった刺激的なコラボアーティストにも注目が集まった。本作は国内はもちろん、世界各国で大反響を呼び、稀代の歌姫は再びシーンの最前線に返り咲いた。","score_count":7,"release_year":2016,"review_count":2,"listened_count":8,"suki_this_week":0,"apple_music_url":"https://music.apple.com/jp/album/fant%C3%B4me/1428766398"},{"id":27,"title":"30","genres":[],"artists":[{"id":24,"name":"Adele"}],"avg_score":4.26,"cover_url":"https://is1-ssl.mzstatic.com/image/thumb/Music115/v4/73/6d/7c/736d7cfb-c79d-c9a9-4170-5e71d008dea1/886449666430.jpg/1200x1200bb.jpg","amazon_url":"https://www.amazon.co.jp/dp/B09K3MZJC3","suki_count":5,"want_count":0,"description":"「その時、覚悟ができた（Right then, I’m ready）」と、アデルは『30』のオープニング曲「Strangers By Nature」のエンディングで静かに告げる。それは穏やかに、それでいて断固として、自分を鼓舞する瞬間のように感じられる。このアルバムは、ロンドン北部のトッテナムから世界へ飛び出した大スターのアデルにとって、明らかに必要だった大きな深呼吸ともいえる作品だ。「今作の曲を書いているときや、ミキシングの段階になったときでさえ、『このアルバムは出さなくていいのかもしれない』と思ってしまうことがあった」と、彼女はApple MusicのインタビューでZane Loweに語る。「『書き直した方がいいのかも』って。音楽は私にとってセラピーだから、私の場合『よし、またヒット作を作らなきゃ』と思ってスタジオに入ることは絶対にない。そういうのは私のやり方じゃない。もっとパワフルで圧倒的なものに直面したときに、私はスタジオに行きたくなる。だって、大抵スタジオというのは地下にあって、窓も受付も何もないおかげで、誰にも捕まらなくて済むから。基本的に逃げてるってわけ。私がアルバムを書き上げていたなんて誰も知らなかったと思う。とにかく自分の中から吐き出すことが必要だったのかもしれない」しかし、アルバムの大半が完成してから2年近く経過した後で、アデルは『30』をリリースした。2008年のデビュー以来、過去の作品から彼女の生々しい感情をくみ取ってきたリスナーには、驚くべきことに本作がアデルにとって最も弱さをあらわにしたアルバムだということが分かるだろう。2019年の離婚に対する激しい罪悪感や、母親であること、世界トップクラスの有名人としてデートしてみせること、そして恋に落ちることといった、重大な出来事だけをテーマに据え、修復中の傷付いた心が揺らぎながら決意していく瞬間を見事に捉えている。収録曲は感傷的なものが多いが、大抵は温かく魅力的で、かなりカリフォルニア的である。さらに重要なことに、それは彼女が“勝ち取った”ものとして描かれているのだ。「これは私の息子、アンジェロにささげるアルバム」と彼女は言う。「曲の中で息子の話をしなくてはいけないと分かっていた。あの子が感じていたことははっきりしていたから。私は自分では『何も問題ない』ってうまく言えてると思ってたんだけど。でも、自分が他のことに気を取られてるのも分かってた。さまざまな感情にのみ込まれてしまっていたから。それで息子は勇気を出して私に向かってはっきりこう言ったの。『お母さんは幽霊みたい。ここにいないみたいだよ』って。どれだけ詩人なの？ あんな小さな子に『あなたが見えない』って面と向かって言われて、私は胸が張り裂けそうだった」本作はアデルにとって、サウンド面で最も自信に満ちたアルバムでもある。「Strangers By Nature」では、スウェーデンの作曲家Ludwig Goranssonと共にジュディ・ガーランドへの敬意を表したいと思い、それを実行した。「ジュディ・ガーランドの伝記映画を観ていたんだけど」と、彼女は語る。「『どうしてみんな、ああいう素晴らしいメロディやリズムやハーモニーのある曲を書かなくなったんだろう？』って思った」。そして彼女はためらうことなく、胸を締め付けるような幼い息子との寝る前のおしゃべりや、自らの不安定な精神状態を記録したボイスメモを「My Little Love」という曲にまとめ上げた。「あの曲を書いているとき、親の離婚を経験した子どもや、自分が離婚を経験した人、別れたいと思いながら別れられないでいる人のことを考えていた」と、彼女は言う。「そういう人たちのことが頭にあったのは、自分が離婚したことで、自分の両親の人間らしさが分かるようになったからだった」とはいえ、これは悲しみや後悔に浸るようなアルバムではない。マックス・マーティンが手掛け、魅力的なコーラスが大ヒットを予感させる「Can I Get It」や、伝説的ジャズピアニストのエロール・ガーナーをサンプリングしたきらめくようなインタールードの「All Night Parking」、さらにマイケル・キワヌーカやSault、Little Simzのプロデュースを手掛けたInfloとしても知られるDean Josiah Coverを新たな創作パートナーに迎えたことで生まれた曲もある。「彼（Inflo）が北ロンドン出身だと分かった瞬間、話が止まらなくなった」と、彼女は語る。「でもまったく仕事にならなかった。まだ離婚して2か月くらいしかたっていないころだったから。彼とはすごく意気投合したけど、彼は何かがおかしいって感じてたみたい。私の中で何かダークなことが起きていることが分かっていた。とにかく私は心を打ち明けた。大丈夫かって、誰かに尋ねてほしくてたまらなかった」Infloが手掛けた曲の一つである「Hold On」はアルバムのハイライトだ。歌詞では、「神に誓って、私はひどい状態／がんばろうとすればするほど、後戻りする（I swear to god, I am such a mess / The harder that I try, I regress）」と自己嫌悪をあらわにしながら、「時には孤独が唯一の休息になる（Sometimes loneliness is the only rest we get）」と今すぐ引用したくなるような告白文が続き、そこから「時は待たせておけばいい、痛みを恵みにすればいい／もうすぐ愛が訪れる、諦めずにいさえすれば（Let time be patient, let pain be gracious / Love will soon come, if you just hold on）と見事なまでの反逆精神がつづられ、いわばアデルの最終形態を見せてくれる。そこにはさまざまな感情が表れ、聖歌隊も加わり（「友達を集めて歌ってもらった」と、彼女はApple Musicに語る）、そして彼女は誰もが一人で車に乗っているときにしか試せないほどの音域で歌い上げてみせる。「私は、何度も希望をなくして、再び喜びを見いだすことができるのかどうか分からなくなっていた」と、彼女は言う。「1年近く、ほとんど笑った記憶がなかった。でも『Hold On』を書いて、聴き返したときに初めて、自分が前に進んでいることに気付いた。その後で、『なんだ、結構学んだじゃない。本当に大きく成長できたんだ』って思えた」そうして、これだけの経験をした後で、アデルは『30』が世界に放たれることを喜んでいるのだろうか。「このアルバムには本当に助けられた」と、彼女は語る。「このアルバムには本当に人の助けになれる曲、本当に人の人生を変えられる曲があると思う。『Hold On』のような曲は、実際に人の命を救うことがあるかもしれない」。さらには、アーティスト仲間を応援するアルバムになるのではないかとも彼女は感じている。「彼らにも聴いてもらう意味があるアルバムだと思う」と、彼女は言う。「自分自身のアートを高く評価するものじゃないとか、すべてが大規模であるべきだとか、何でもかんでも、できるうちにやらなければいけないように迫られている…そういう人たちに、常にみんなの前に出ている必要はないんだってことを思い出させてあげたかった。そして、あなたが望むなら、心の奥底を打ち明ける曲を書いてもいいんだってことを」","score_count":5,"release_year":2021,"review_count":2,"listened_count":5,"suki_this_week":0,"apple_music_url":"https://music.apple.com/jp/album/30/1590035691"},{"id":28,"title":"PINK BLOOD","genres":[],"artists":[{"id":3,"name":"宇多田ヒカル"}],"avg_score":4.08,"cover_url":"https://is1-ssl.mzstatic.com/image/thumb/Music125/v4/8d/98/c0/8d98c073-c1c4-638b-9dec-da73c239e43e/4547366513127.jpg/1200x1200bb.jpg","amazon_url":null,"suki_count":5,"want_count":3,"description":"「One Last Kiss」「初恋」など人気曲を収録したシングルコレクション。","score_count":4,"release_year":2021,"review_count":0,"listened_count":4,"suki_this_week":0,"apple_music_url":"https://music.apple.com/jp/album/pink-blood-single/1566508409"},{"id":5607,"title":"Magical Mystery Tour","genres":[],"artists":[{"id":156,"name":"ビートルズ"}],"avg_score":4.3,"cover_url":"https://is1-ssl.mzstatic.com/image/thumb/Music126/v4/43/0e/37/430e3790-75d5-c96a-1380-f9d9803aa700/18UMGIM31245.rgb.jpg/1200x1200bb.jpg","amazon_url":null,"suki_count":5,"want_count":0,"description":"「Sgt. 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Tour』と題されたツアーは記録を更新し10億ドルの壁を突破すると、それに伴うコンサート映画は史上最高の興行収入を達成した。ツアーの訪問先からNFLのスタジアムのトンネルに至るまで、彼女は足を踏み入れたあらゆる場所で人々の興味をかき立て、商業を生み出し、ヘッドラインを飾った。2023年には『TIME』誌のパーソン・オブ・ザ・イヤーと、Apple Musicのアーティスト・オブ・ザ・イヤーに選出された。\n\nしかし、あれほどのレベルの成功を歌った曲が果たしてリスナーの心に響くのだろうか。6年にわたったスウィフトとジョー・アルウィンの極めてプライベートな関係に終止符が打たれたことが報じられると、スウィフティたちはすぐに“スウィフティング”を始め、その数週間前に行われた『Eras Tour』の初期の公演で、アルウィンと一緒に書いた「champagne problems」を泣きながら歌う彼女の動画をSNSで再拡散した。それは、たとえ今はスーパーヒーローのようなオーラを放っていても、絶頂期にあるスウィフトでさえ、私たちと同じように傷つくのだということを思い出させてくれた。彼女を際立たせるのは、心の痛みをポップへと昇華できる能力だ。2024年初頭、グラミー賞を受賞した彼女が11作目のスタジオアルバムについて発表した時、私たちはおそらく驚くべきではなかったのだろう。\n\n「（アルバムを）作る必要があったんです」。その数週間後、スウィフトはオーストラリア、メルボルンの9万6,000人の観客に伝えた。「『TORTURED POETS』ほど、私がソングライティングを必要としていたアルバムは、これまでにありませんでした」。信頼するコラボレーターのジャック・アントノフとアーロン・デスナーと共に手掛けた今作で、彼女は『Midnights』のような柔らかくて心地よい、ベッドのようなサウンドに帰っている。しかし、今作に懸ける彼女の思いは、これまでより明らかに大きく感じられる。これは別れのアルバムというよりも、スウィフトが感じてきたすべてのことを深く探求し、感情の瓦礫（がれき）の中を突き抜けたような作品なのだ。\n\nカントリーのルーツをほのかに想起させるストリングスとギターが印象的な「But Daddy I Love 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